Wikipedia
M. Vänçi Stirnemann (born 21 April 1951 in [Zurich as Manfred Ulrich Stirnemann) is a Swiss artist, author and curator. He has been active in performance art, copy art (Xerox art), mail art and installation art. In 1997 he initiated the collaborative performance artist trading cards.
The artist trading card project builds on different traditions. Miniature art has been in existence for centuries tracing its heritage back to the illustrated manuscripts of scribes in the Far East and Europe prior to the 15th century. The origin of modern trading cards is associated with cigarette cards first issued by the US-based Allen and Ginter tobacco company in 1875. They were the precursors of the sport cards and other trading cards. An important influence for the ATC concept were art movements of the 20th century which advocated a more popular art: Art not for museums or auctions but from and within everyday life. In this respect, the ATC project has affinity with the Fluxus movement and with Robert Filliou's notions of a "fête permanente", a "création permanente", or an "eternal network". The "art of participation" as an interactive process can be traced back to the 1950s, and it developed within different genres like performance art and happenings, action art, mail art, or later computer art.
The artist trading card project builds on different traditions. Miniature art has been in existence for centuries tracing its heritage back to the illustrated manuscripts of scribes in the Far East and Europe prior to the 15th century. The origin of modern trading cards is associated with cigarette cards first issued by the US-based Allen and Ginter tobacco company in 1875. They were the precursors of the sport cards and other trading cards. An important influence for the ATC concept were art movements of the 20th century which advocated a more popular art: Art not for museums or auctions but from and within everyday life. In this respect, the ATC project has affinity with the Fluxus movement and with Robert Filliou's notions of a "fête permanente", a "création permanente", or an "eternal network". The "art of participation" as an interactive process can be traced back to the 1950s, and it developed within different genres like performance art and happenings, action art, mail art, or later computer art.